Recognising the best interior paint finishes of any building used as a private residence, this highly competitive category sparked significant discussion among the judges. These projects demonstrated architectural skill and chromatic expertise.


“Prioritising colour as the primary design driver in the reimagining of this Yarra Valley treetop home sees it determine not only the architectural language but also set the emotional tone. Its rich, earthy palette, derived from the neighbouring landscape, is evocatively applied and underpinned by masterful colour theory and conviction. The design practice chose Dulux hues for their ‘nuanced tonal depth and capacity to shift through calibrated tints and shades’, echoing the hues of oxidised earth, eucalyptus canopy, dry grasses and shifting skies to create an interior that is symbiotic with its natural context. Colour is ingrained in structural and joinery elements, so its presence is felt as much as seen. It is a mature palette, featuring unlikely pairings of chartreuse and olive, burgundy and earthy red, yellow and murky green, applied in subtle shifts that build a cohesive tonal narrative throughout the home. Again, drawing upon nature’s organisation, the deeper, grounding tones are applied at lower levels and tempered with a powdered blue on the ceiling, with the elevating impact of a vast open sky. The tone is precise, its placement unifying, and the cohesion that is struck with clever inclusions such as this demonstrates how colour can enhance everyday life. Saturated in colour, individual spaces are immersive yet seamlessly connected to tell a story about the way paint can do the heavy lifting in a low-budget project with unremarkable structural beginnings. In reflecting the character of its inhabitants, this scheme also represents something uniquely Australian – humble, unscripted, accessible.”
Sarah-Jane Pyke, judge
Project: The View, Mount Evelyn. Images: Martina Gemmola
"Set on Auckland’s harbour edge, this villa’s generous architectural bones provided a characterful foundation for a deeply personal renovation. Carrying the layers of more than forty years of occupation, Waka Huia was home to a rich tapestry of artworks, artefacts and family keepsakes, yet called for renewed spatial clarity and a unifying framework. Central to the project’s resolution was a close and considered collaboration with the owners, whose personal experiences directly informed the palette; from a dining room inspired by a once‑visited French railway station to a living room finished in hues chosen by the owner’s late wife.
In the kitchen, walls and vaulted ceiling are immersed in soft pinks, complemented by warm brass surfaces that heighten the sense of refinement, while the hallway, a connective thread through the home, becomes a soft yellow setting for an ever‑evolving art collection. Colour is celebrated throughout, embedded through exceptional craftsmanship across detail, material and finish. Intricate applications, confident colour‑blocking and unexpected juxtapositions, including pistachio set against lemon, demonstrate the architects’ nuanced judgement, creative intelligence and technical composure in support of a bold palette.
Both generous and restrained, intuitive yet carefully calibrated, the project challenges and expands our understanding of how colour can operate in residential architecture. Anchored in memory and personal narrative, the resulting aesthetic is evocative, richly layered and full of joy”.
Sarah-Jane Pyke, judge

Project: Waka Huia, Auckland. Images: Simon Wilson
Explore how the winners brought to life the innovative use of colour in residential, commercial and public spaces.
Image Credits: Hamish McIntosh Lynda Draper: Glimmer | Simon Wilson Waka Huia | Martina Gemmola The View | Felix Frost Nithsdale | Tom Ross Above The Clouds | Timothy Kaye Lost Profile Gallery | Anson Smart Billy’s, Ayrburn | Anson Smart Hannah St Hotel | Chad Peacock Linewide Graphic Trail | Dennis Radermacher Te Pākau Maru |
